I always find it really funny when they guess someone has only watched newer stuff and can’t fathom that they’ve seen almost everything.

I basically just gave three (or at least 2, as the DISCO one maybe is a bit iffy) examples of modern Star Trek scrutinizing the means despite the obstensibly good ends.

Also, another example is S2 E2 “Ad Astra Per Aspera” borderline almost literally puts “the moral cost of the means” (keeping good genetically modified people like Una out of Starfleet) that is ostensibly done for the ends of preventing another Eugenics Wars. I wouldn’t hesitate to call this episode one of the best in the whole franchise, very much in the tradition of court case ethical discussion episodes like “Measure of a Man”.

I don’t think one can make a blanket statement about newer Star Trek quitting “believing something”; sure, it may be uneven in quality (maybe more than classic)*, but dismissing all of “NuTrek” out of hand is akin to throwing the baby out with the bathwater.

: I mean, there’s whatever DIS season 2 was, Section 31, most of PIC, etc., but also, it’s not like good swathes of classic Trek aren’t also kind of crap - I mean, there’s the time Riker murdered his clone and nobody batted an eye, as well as TOS S3, TNG S1, and the inconsistency of VOY. Even in the good classic episodes, it’s not like every one is “do the ends justify the means” - in addition to other ethical themes, classic Trek still had room for simply "Cool sci-fi s** happened and we have to deal with it", not to mention episodes focused on interpersonal drama like “Data’s Day” or any of Deanna’s “Oh f*** my mother is on board” episodes.

I would say it depends.

I mean, the ends not justifying the means is kind of the entire point of DISCO S1 (whether or not the rest of DISCO embodied it is a different matter); Burnham has to let go of what Lorca summarizes as “Universal law is for lackeys. Context is for kings.” or in other words, the ends often justify the means.

Also, SNW is better about it, than say, PIC; for instance, SNW S3 E7 “What is Starfleet?” from 2025, for all its flaws (including in some ways being very similar to TNG “Tin Man”), basically has the crew going “WTF! The ends (saving an alien race from a war they didn’t start) do not justify the means (enslaving a sentient space whale)!” Also, SNW 1x06 is basically “ends don’t justify means”, although mostly because it basically copied “The Ones Who Walk Away From Omelas”.

Uploading a gz source archive to a Git repository is absolutely cursed. Still, looks like a cool project.

I’ll also add that if you do enable SSH and are stupid enough to expose port 22, then at least make sure you have key-based authentication instead of password authentication and keep your keys safe.

I could never get Gnome Network Displays to work, but it’s worth a shot.

Looks like that site is dead and has being an AI slop domain squat.

A long time ago, I tried to tune a Piper voice using Majel Barrett’s speech from her reading of the novel “Q In Law”, but I didn’t get very far - just a small amount of training data collected.

I agree; for reasons other people have discussed in detail here, I think Majel Barrett is probably one of the least ethically ambiguous actors you can do this with.

He’s using the magic he knows. He’s believing.

Honestly, I wouldn’t be mad if we got a The Magicks of Megas-tu prequel even if it breaks a bunch of canon and they use a convenient memory wipe to solve all the problems, mostly because it would involve TAS getting any canon recognition whatsoever.

Well then, you might enjoy “The Guy Who Didn’t Like Musicals”…

Because he unmasked after “The Cage”…

I can get it being back by the 32nd century, but I still wonder why Nova Squadron (or any elite academy group beyond a simple honors society) came back in Prodigy relatively shortly after:

1. The Locarno incidents
2. That time Red Squad tried to take over THE ENTIRE FREAKIN’ FEDERATION.

It’s not saying to be a jerk to people.

“Masking” is when a person with autism hides associated mannerisms in order to blend in with neurotypical people (make themselves “more palatable”), such as avoiding hand stims or atypical (but still healthy) reactions of enthusiasm.

“Unmasking” doesn’t mean giving up anything you do to be considerate of others (such as not giving unsolicited 15 minute rants about my hyper fixations); it just means not trying to pretend to be a neurotypical person, consciously or subconsciously, and to just be your authentic self, autistic self.

“Alla maraine! Count to four! Alla maraine, then three more! Alla maraine, then you’ll see. Alla maraine, you’ll come with me!”

EDIT: I apologize. This was a bit snarkier in tone than I intended, and probably escalated conversations in ways that I shouldn’t have. A more civil way to put it is I disagree on the standard of “seriousness” ascribed to the earlier Star Trek series; take the Riker maeuver, for instance.

Ah, yes, Star Trek, the “dead serious” show.

I felt better once they got out the prisons; the ship aesthetics have some generic sci-fi aesthetic to them, but having the reds in them makes it feel overall much brighter and Trek-y. Honestly, even though it’s not as bright as TNG, just being able to actually see scenes was nice.

I think KDEnlive is good as well, definitely the least terrible FOSS one. I never used Premiere Pro on that advanced a level, but for basic effects, keyframes, and title cards, it does quite well.

The main proprietary, “professional” one on Linux is Da Vinci Resolve, but I’ve never used it on Linux, since KDEnlive is just fine for me.

Honestly, in my opinion, every video editor is terrible to some extent; it’s having to deal with enormous amounts of data every second more than almost any other program on a computer, and even a semi-usable editor is a mind-bogglingly impressive feat.

Of course I don’t mean those art-stealing cannibals over at Adobe allowing them, I mean the Wine software allowing them, as it semantically implied.

Like I said, I wouldn’t touch Adobe with a 39.5 foot pole, but Photoshop is unfortunately necessary in those relatives’ industry, so getting on a high horse and telling them to use GIMP or Krita is not going to accomplish anything.

I’ve gotten used to GIMP and used it for a lot of cool thing (especially G’MIC for getting CD liner note scans looking quite good), but it’s just not a solution for serious professional use.

Not necessarily. It’s often less Calc’s capability that is at issue, and moreso its compatibility with imported sheets. Calc tends to have every feature I need when I make a spreadsheet.

I think the main issue I’ve seen is when people need bug-for-bug (or nearly so) compatibility with VB macros.