

Hey now, don’t discount the very real possibility a Fascist will kill you first!


Hey now, don’t discount the very real possibility a Fascist will kill you first!


Pretty much. Don’t get me wrong I love Star Trek, but at this point The Expanse looks optimistic compared to the future humanity is recklessly careening towards.


I see what you mean and can get down with that. The writing in 2 is in general much tighter then 3. It’s a shame that compared to 3 relatively few people have played it.
Personal opinions aside as an open world RPG by itself Witcher 3 is pretty good, it’s was a breakout success and remains a popular game for good reason. As a follow-up to Witcher 2 though it’s pretty disappointing. Switching over to an open world does the storys pacing and stakes no favors, and it feels like CDPR is limited by following up the book series and trying to utilize its characters. As evidenced by Witcher 2 and the Hearts of Stone expansion for 3, it seems like their writers are much more comfortable writing their own original stories and characters. 3’s main storyline doesn’t introduce anyone nearly as interesting as Letho, Roach, and Iorveth, except for maybe the Baron, who like the others is an original character.
Additionally everything 2 spends time building up for 3 has pretty disappointing payoffs. The Northern Realms politics were a focus for 2, in 3 they are overly simplistic and somewhat nonsensical. Radovid is depicted as a cunning, competent, and ruthless king in 2, but goes blubbering mad off-screen between games. The Wild Hunt is barely a presence in the games storyline despite being it’s namesake and Eredin is a flat and boring antagonist. I understand why Witcher 3 is so popular, but as someone who was a big fan of 2 and was incredibly hyped for it, I found it to be incredibly underwhelming.


God I hate the “Interactive Movie” genre. Uncharted, Last of Us, God of War. Pretty much most of Sony’s exclusives. They’re all the same boring 3rd person mechanics, and uncultured “gamers” will go off about how “amazing” the story is because they haven’t read a book since high school and only watch blockbusters. If you’re not going to do anything interesting with the game mechanics or add any actual interactivity to the story then whats the fucking point of making it a game? They just seem like a refuge for hack screenwriters that couldn’t make it in film and lazy game devs who are out of ideas.


Witcher 2 is the most underrated entry in the series, and has by far the most interesting story to tell. I’m shocked you find 3’s story complicated as its pretty simplistic in comparison. Yeah it has more characters from the books involved, but the game tells you pretty much everything you need to know about all of them. Overall I enjoyed 3, but as a followup to Witcher 2 its pretty disappointing story-wise. Both games have shit combat, so if you’re not invested in the story/world they aren’t worth playing.


Even if they just gave us some new map tiles, a flip-able Romulan/Klingon Warbird set, it would go a long way. Make it so you can have two separate ships that your characters can transport between. Having to buy two identical core sets for 3-4 player games is unacceptable. Since we didn’t get one for TOS, a DS9 Core Set with Sisko vs Dukat or Weyoun that introduces the Cardassions/Dominion as a playable faction would be great!


Just got into this game and I am enjoying it, but low-key kind of disappointed in this. Should have focused on the Next Gen era for small expansions. The DS9 or Voyager crews, the Ferengi, or the Cardassians/Dominion would have been perfect. As it is right now, the TOS crew doesn’t fit in at all with any of the existing characters. Sure you can always hand wave it as time travel/holodeck shenanigans, but TOS really deserves its own new core set. A Kirk vs Khan box with a TOS map would have been great!


League of Legends. I don’t understand the appeal at all. It’s just ugly and not fun. I really tried to get into it too. An old group of friends I played games with all play it. For over a decade it’s been practically the only game they play. They never seemed like they were having actual fun either but they keep coming back. I miss those guys ☹️.


If its at University a lot of online classwork requires Chrome, especially proctored test-taking. They might have installed Chrome for that and just kept using it to avoid any problems and having to switch back and forth between browsers.


Serious answer. TNG has a lot of shit like this. Leftover plot hooks that completely lack follow-up. Far too many to wrap up in one season of modern prestige TV.
It’s just how TV was back then. You wrap the story up in 45 mins. Maybe some things get revisited, if the writers and producers don’t forget about them and the actor is available. Serialized stories were the exception not the rule back then.
Honestly I feel like this makes the Star Trek universe seem bigger. Every character has a lot going on and not everything that happens to them revolves around one storyline. There’s a whole galaxy out there full of things constantly happening! A lot of these would be followed up in books. Iirc it’s mentioned in one that Worf and Jeremy exchange letters regularly and he does visit on occasion. We just accept that this happens off-screen because Worf has a life beyond the brief glimpses into it we see. Modern TV is too tidy, with everything tied to one or two storylines and everything being wrapped up tidily with maybe one or two cliffhangers. It makes fictional settings cough Star Wars cough seem small and insuler.


As many have pointed out, trauma from the Eugenics wars is a big reason behind the Federations stance on genetic engineering, but that’s just part of it. The Federation is a Utopian Meritocracy that celebrates diversity. Genetic Engineering undermines diversity and creates inequality in a society where everyone is granted an equal opportunity to rise and succeed. This is the other half of the equation as to why the UFP doesn’t like genetic engineering.


Deep Space Nine is the most idealistic Star Trek, even moreso then TNG. Don’t get me wrong I love both, but for the characters of TNG utopian idealism is easy. DS9 on the other hand tests its characters ideals. Its about maintaining Utopia in the midst of overwhelming adversity. Its characters question their idealism, sometimes they even compromise it, but in the end they are not found wanting. Its aspirational AF especially for the times we are living in.
Unfortunately it seems like for some of the lesser creators in charge of modern Trek cough Kurtzman cough all they took away from DS9 is darkness and edge. They are cynical and don’t really understand or appreciate the importance of idealism in Star Trek. They just saw Sloan as some kind of badass superspy and probably thought Bashir was lame and didn’t understand his problem with Section 31. At least it seems like positive Idealism has been re-injected into Trek through SNW. We as a society need it now more then ever.
Same. Share my account with a couple friends. I mostly watch Trek, but it has a decent selection of movies and older TV too.


Seems to be pretty much what I expected. Mid overall, but if you’re a Trekkie who likes 4x games you will probably enjoy it. I’ll probably pick it up this weekend. The fact that its half the price of a typical release makes its flaws an easier pill to swallow for sure.


One thing I’m very curious about, does the Dominion appear as a Mid or End-game crisis or is it just the Borg? I feel like a lot could be done to make that interesting with the dynamics of the 4 factions, making uneasy alliances and having the weakest of the 4 join the Dominion. Maybe I’m asking too much of this game though.


Playing Devils advocate, it looks like they put a lot of flavor and assets into each of the playable factions which is why there is a limited selection. Still more would have been better. I can understand the decision to keep the Borg as an AI controlled faction, but Stellaris already has mechanics that fit the Ferengi well.


Geordi can see through the cards, and Data is a supercomputer. I guess its just a testament to how Godly of a Poker player Riker is that he could consistently clear that table. Poor Worf never stood a chance.


Starfleet is driven by love and passion, just not in the toxic way that Angel is. Its a passion for exploration and discovery, and a love for your comrades and fellow lifeforms. Angel is right, she just goes about it in entirely the wrong way.


My friend you’re missing many. After quick look-through I’m coming up with: The Bonding, Reunion, Ethics, A Fistfull of Data’s, Rightful Heir, Homeward, and Firstborn. Worf also gets a bunch of B-plot focus like In Family. He’s the opposite of Riker where he gets hardly any focus at the beginning of the series, but more and more as the series progresses.
Its a bit of both. He definitely believed in the supremacy of the Anglo-Saxon race. There is no excuse for it, but there is a pitiable aspect to the part of Lovecrafts racism that is rooted in fear. Like Fucking chill Howard, its just a Welshman.