

My in-person community was toxic and abusive, and I didn’t even realize it until I found a warm, accepting, and much healthier online community to compare with. “Retreating” was a survival need. I’m glad your offline community isn’t harmful to you but don’t assume that is the case for everyone.
I’m also part of one of those small artistic cultures you mentioned and it evolved and thrived way more with the arrival of the internet than it ever did in the days of small in-person gatherings and physical-only publishing. Art is furthered by cultural contact and mutual exchange of ideas, not isolation.
Now, you do have a point that there is a problem with homogeneity and stagnation these days, but the real cause of it is late-stage capitalism. The harder it is for the average person to make a living, the more they are forced to focus all of their energy on making money. For an artist, that means not having any time for masterpieces or experimental projects because Fast and Marketable is the only way to make rent. Arts and culture are starving because a small number of billionaires are sucking up all the financial nutrients (and then passing censorship laws to cut down anything that still manages to grow, until the only things left are as boring and mundane as they are.)





I am going to vote against fascism. If the Democratic party insists on choosing a candidate who agrees with Republican efforts to genocide me, then I am going to vote against their fascist too. And don’t come looking for me to whine about it after; by the time the Niemoller poem gets to you I’ll be long gone already.